L.A. Times: A Final Bow, Not Farewell
James Conlon is featured on the cover of the Los Angeles Times Entertainment section in print. James Conlon’s final bow as LA Opera Music {…}
He has long been one of classical music’s most compelling advocates, but somewhere along the way, Conlon has fully assumed the mantle of the most accomplished music director currently on the podium of an American opera house.
Opera News, July 2019
...one of America's leading conductors...
The New York Times
James Conlon, one of today’s most versatile and respected conductors, has cultivated a vast symphonic, operatic and choral repertoire. Since his 1974 debut with the New York Philharmonic, he has conducted virtually every major American and European symphony orchestra. Through worldwide touring, an extensive discography and videography, numerous essays and commentaries, frequent television appearances and guest speaking engagements, Mr. Conlon is one of classical music’s most recognized interpreters.
Read full bioConlon is the real thing: a master of the orchestra with genuine theatricality and no discernible narcissism.
Los Angeles Times
James Conlon is featured on the cover of the Los Angeles Times Entertainment section in print. James Conlon’s final bow as LA Opera Music {…}
Less an exit than a carefully timed cadence, Conlon transitions from day-to-day leadership into the role of Conductor Laureate, maintaining his {…}
November 15, 18, 22 & 24, 2026
Featuring Jongmin Park, Carolina López Moreno, Luciano Ganci, Lodovico Filippo Ravizza, Huigang Liu, and the Orchestra and Chorus of the Maggio Musicale Fiorentino
Teatro Maggio Musicale Fiorentino
Florence, Italy
January 18, 20, 22, 24, 28 & 30, 2027
A new production by Leo Muscato, featuring Giorgi Manoshvili, Dmitry Ulyanov, Denys Pivnitskyi, Dmitry Golovnin, and more with the Filarmonica Arturo Toscanini and the Chorus of the Teatro Regio di Parma
Teatro Regio di Parma
Parma, Italy
February 27, 2027
Tearo Rossini
Lugo, Italy
He is a miracle of equilibrium: his dramatic intuition never fails, nor betrays the transparency of the music…
Le Monde de la Musique