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James Conlon writes for Musical America on “Shostakovich and Lady Macbeth of Mtsensk”

James revisits and expands on an article written for Opera News in 1994, on the occasion of the opening night of the Metropolitan Opera’s production of Dimitri Shostakovich’s opera.

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The Oblique Censor, Part 3 of 3

Read James’ Keynote Address presented at the symposium “Music, Censorship and Meaning in Nazi Germany and the Soviet Union: Echoes and Consequences” by the Ziering-Conlon Initiative for Recovered Voices at the Colburn School, now on his Musical America blog.

Click here to read The Oblique Censor, Part 3.

The Oblique Censor, Part 2 of 3

Read James’ Keynote Address presented last month at the symposium “Music, Censorship and Meaning in Nazi Germany and the Soviet Union: Echoes and Consequences” by the Ziering-Conlon Initiative for Recovered Voices at the Colburn School, now on his Musical America blog.

Click here to read The Oblique Censor, Part 2.

Upcoming Performances

Madrid, Spain   December 12, 13, 14, 2014
Torino, Italy   December 18, 19, 2014

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