The LA Opera’s production of Puccini’s “Madame Butterfly” opened on Saturday, March 12 and ran until Sunday, April 3.
The critics raved:
“James Conlon and the LA Opera Orchestra beautifully conveyed the shifting moods of the score as we sat, hypnotically transported to the Japan of Puccini’s imaginings.” (Jane Rosenberg, Seen and Heard International)
“James Conlon conducted with theatrical urgency, and the L.A. Opera orchestra, which obviously knows this score well, played magnificently.” (Mark Swed, LA Times)
“No surprise, conductor James Conlon and the LA Opera orchestra are magnificent.” (Karen Weinstein, Culture Vulture)
“The orchestra is magnificent under James Conlon.” (Georja Umano, LA Splash)
The LA Opera’s revival of Kosky and Andrade’s silent-movie version of “The Magic Flute” opened on Saturday, February 13 and ran until Sunday, March 6.
Critics have called it “a delight” (Mark Swed, The LA Times), “a grand spectacle… that was neither exhaustive nor timid” (Arya Roshanian, The Daily Trojan), “over and over again ‘awesome’” (Lyle Zimskind, LAist) and “every bit a “must see”” (Jim Farber, Los Angeles Daily News).
Don’t miss the production that “has helped trigger newfound interest in [The Magic Flute] even among audiences who don’t normally go to the opera.” (Falling James, The LA Weekly). As a bonus, Mr. Conlon offers “another excellent pre-game pep talk” that’ll have you “sorry when the opera’s about to start and he has to take his leave” (Patrick Mack, Parterre Box).
James Conlon and the LA Opera present Mozart’s The Magic Flute in a “highly anticipated revival of a production that created a sensation in [their] 2013/14 season.” The production will be on the LA Opera stage through February and early March.